Reviews
Katharina Grosse review: painting as an explosion at White Cube
German artist Katharina Grosse stages a chromatic takeover in London.
Remarkably Bright Creatures review: Sally Field shines in sweet film adaptation
Remarkably Bright Creatures presents the world through the eyes of a clever octopus, a grieving mother and a wayward drifter.
Rocky Horror turns 50 – and still refuses to behave itself
The 50th Anniversary Spectacular Tour is a loud, fan‑driven celebration of Rocky Horror’s cult legacy, complete with original cast appearances.
The Woman in Black review: two performances to fear
John Mackay and Daniel Burke anchor this unsettling ghost story at the Bristol Old Vic with performances of rare discipline,…
Half Man review: even more devastating than Baby Reindeer
Richard Gadd toys with your emotions once more in Half Man, his latest exploration of wounded masculinity.
The Deb review: Rebel Wilson’s directorial debut is a charmer
Natalie Abbott and Charlotte MacInness shine bright in Rebel Wilson's debut musical comedy.
The Beekeeper of Aleppo review: strongest in its softest moments
A story of loss and displacement, The Beekeeper of Aleppo is an uneven production that occasionally loses its way.
Meet Fred review: a decade on, this satire is still sharp
In Meet Fred, precise puppetry and wry storytelling bring a 'blank canvas' character to life.
Heartbreak High review: the Hartley High kids are back for a final season of chaos
This season, Heartbreak High tackles big questions about leaving school and facing the future.
A Midsummer Night’s Dream review: this fresh staging knows its power
Director Holly Race Roughan's A Midsummer Night’s Dream is sharper, stranger and more human than most.