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Multi screen video installation in black and white of woman looking at African objects. Isaac Julien.
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Exhibition review: Isaac Julien, Once Again… (Statues Never Die)

A spectacular exhibition asks the big questions about how museums collect, and show, artworks with Black histories.

A landscape scene, 'The Hay Wain' by John Constable, featuring a wagon in shallow waters near a cottage on the left.
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Exhibition review: Discover Constable and The Hay Wain, National Gallery, London

Take a closer look at one of the most quintessentially English paintings.

A street scene in the production of 'La bohème'. In the foreground is a man on a bicycle carrying some white balloons. There are crowds of people around him. English National Opera production.
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Opera review: La bohème, London Coliseum

Jonathan Miller's acclaimed production of Puccini’s much loved opera returns to mark the centenary of the composer's death.

A colourful illustration of everyday objects including a globe, books and lamps.
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Exhibition review: Michael Craig-Martin, Royal Academy of Arts, London

So much to see in this vivid retrospective of a colourful career.

Edward Gardner in a concert setting conducting an orchestra.
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Music review: Edward Gardner conducts Rachmaninoff, Royal Festival Hall, London

An impressive display of technical mastery and musical intensity.

A group of musicians are standing up with their instruments. In the centre is conductor Sir Anthonio Pappano in black, standing next to pianist Yuja Wang, in a white dress. LSO London Symphony Orchestra.
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Music review: Concert 4: Szymanowski, Chopin and Mahler, The Barbican, London

Drama aplenty in the final Season Opening Concert from the London Symphony Orchestra.

At night time a grand circular building with at least four storeys and a dome on top is lit up. The Royal Albert Hall.
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Music review: Prom 72: Mozart, Farrenc and Beethoven’s ‘Eroica’, Royal Albert Hall, London

A colourful program of historically informed performance. 

A group of dancers are seen in silhouette. There is a wall behind the covered with handprints. Giselle. Sadler's Wells Theatre.
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Ballet review: Akram Khan’s Giselle, Sadler's Wells Theatre, London

A powerful portrait of love and loss.

A concert scene with a conductor, Sir Antonio Pappano on the right, sans baton.
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Music review: Elgar & Holst, The Barbican, London

A spectacular Season Opener for the LSO with its new Chief Conductor.

A painting in shades of blue, white and green of olive groves by Vincent Van Gogh.
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Exhibition review: Van Gogh: Poets and Lovers, National Gallery, London

A once-in-a-lifetime opportunity to explore the luminous world of Vincent Van Gogh.

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