Reviews
REVIEW: Mile End, Analogue Productions
REVIEW: Meabh Ritchie finds Mile End by Analogue Productions the "most touching and powerful play" she has seen this year.
REVIEW: Blues in the Church
REVIEW: There have already been a couple of concerts in St Kyneburgha's by American gospel singers and musicians but this…
REVIEW: AfterShock, the Sainsbury Centre
REVIEW: Gordon Haynes reviews AfterShock the umbrella title for the Sainsbury Centre’s summer exhibition and events.
REVIEW: V fest causes festival blues in Staffordshire
It’s hard to imagine that a situation meant to be "entertainment" could be better designed to turn a crowd into…
REVIEW: The Enchantment, the National Theatre
David Trennery finds The Enchantment by Victoria Benedictsson, in a new version by Clare Bayley at the National Theatre, very…
Dull, delightful, dazzling: Edinburgh Art Festival
Gordon Haynes takes in three city centre exhibitions as part of the Edinburgh Art Festival and finds them "Dull, delightful…
Review: The Simpsons Movie
Like the second coming of Christ it would be something of an understatement to say that The Simpsons Movie has…
REVIEW: I For India, ICA films
While I For India is billed as Sandhya Suri’s first feature length documentary, the reality is that its makers are…
REVIEW: The Hothouse by Harold Pinter, National Theatre
It has been a good year for Harold Pinter: Betrayal sold out at the Donmar and now Britain’s greatest living…
REVIEW: A Short History of Tractors, in the UK rain again
Last weekend Gordon Haynes visited Tractor Fest in Nethy Bridge, part of the annual historical Steam Fair at nearby Boat…