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Henry Moore review: monumental sculpture in the open air of Kew Gardens
Henry Moore always believed his sculptures should respond to the natural environment.
Jonathan Baldock review: fragile folklore in Bristol
Jonathan Baldock’s Held at Arnolfini is part way between shrine and forest.
Phantasmagoria review: digital sorcery at the Henry Moore Institute
A compelling new exhibition, Phantasmagoria explores the digital and the arcane.
Katharina Grosse review: painting as an explosion at White Cube
German artist Katharina Grosse stages a chromatic takeover in London.
Echo review: artist Klára Hosnedlová uses living fungi to explore time, growth and decay
In Echo, artist Klára Hosnedlová blends industrial structures, hand-worked fibres and living fungi into an installation that is constantly shifting.
Heart to Heart review: artist Yin Xiuzhen stitches memory into the fabric of a changing world
Clothing, concrete and memory collide in In Yin Xiuzhen's lastest solo exhibition, part of a three-decade reckoning with what rapid…
Threads of Life review: Chiharu Shiota’s captivating webs of memory at the Hayward
In Threads of Life, Chiharu Shiota delivers a spectacular and truly immersive experience.
Bristol Light Festival review: turning the familiar into the unexpected
From the grandeur of Clifton Suspension Bridge to a commonplace car park, this year's Bristol Light Festival has some surprises…
Everything Is Energy review: Emma Talbot at the Arnolfini, Bristol
Throughout Everything Is Energy, Talbot’s art thrums with a living charge.
Twelve Paintings by Colin Davidson and Mark Carruthers review: conversations on ‘the act of looking’.
Artist Colin Davidson muses on creativity, identity and bearing witness in Twelve Paintings.
