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Introducing more diverse arts writers

Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.

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Theatre review: Harry Potter and the Cursed Child Parts 1 and 2

After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…

Features

The magic is back: Harry Potter and the Cursed Child returns to the stage

Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…

Career Advice

The ‘business’ of craft shouldn’t be an oxymoron

Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…

Features

What the pandemic has taught us about disability and what we still have to learn

If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…

Features

Chinese-speaking students a largely untapped arts audience, says new report

Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…

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Carly Findlay on centring disability in our latest podcast

In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…

Features

The art of the impossible: International collaboration during COVID

Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…

Career Advice

The 4 Rs: Exploring trauma-responsivity and self-care

The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.

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How to embrace criticism when your ideas are unconventional

Persevering through rejection and criticism are vital for successful artists but they are even more important when your ideas are…

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