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Features

Staging COVID-safe arts events outdoors

Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…

Features

Finding a place in the strange new world of NFTs

Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…

Opinions & Analysis

How art intervenes in an emergency

An artistic inquiry into disaster preparedness is in its last days and David Pledger thinks it has much to tell…

Opinions & Analysis

An overnight comedy success after nine years work

Comedian Chris Ryan was as surprised as anyone to find herself nominated for best newcomer at this year’s Melbourne International…

Features

Don't ditch the digital

Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says…

Features

Landing in lockdown: how immigration drives artistic adaptation

Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the…

Features

Alarming report results as artist residencies buckle under COVID pressures

A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists…

Opinions & Analysis

How to create a Disability and Inclusion Action Plan

Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent…

Opinions & Analysis

Saxism or Sexism? Gender diversity in the classical saxophone community

The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in…

Features

Should you care whether you are emerging or not?

Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…

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