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With artists owed $200,000 following the collapse of independent event management company, JumpClimb, Fringe World is taking action to assist.
A multi-sensory living installation displaying endangered Indigenous Australian grassland species will interrogate architecture’s responsibility to environmental rehabilitation.
After a prolonged battle with cancer, photographer Polixeni Papapetrou has died at 57.
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick Mitzevich and how healthy is the NGA, which he now steers?
APY Art Collective opens a gallery in the heart of Sydney as part of a vision for best representation and best practice.
In the first such case to head to the Federal Court, the ACCC targets misleading products on the tourist market manufactured by Indonesian company Birubi Art.
A new application process for the Venice Biennale results in a sound outcome for Australia's representative at this major art world event.
Melbourne’s newest gallery offers a bridge between a curious collector, an engaged public, and a new generation of artists.
The new-look Melbourne Art Fair returns in August with a regional focus, an international keynote, and commissioning partnerships.
Always engaged, always curious, and always up for a conversation - it was Michael Hobbs' love of life and art that left an incredible legacy for the Australian art world.
Queensland artists from the dance, circus and contemporary music sectors will perform alongside a range of international talents at Festival 2018 Gold Coast.
JanArtsNYC attracts over 45,000 performing arts leaders and artists to New York, but has lacked an Indigenous focus – until now.
Forty years of data reveal a significant price gap between the results achieved for male and female artists across global art auctions, a UTS study claims.
52 ARTISTS 52 ACTIONS is a year-long art project that uses Instagram to talk about current political and social issues, replacing fake news with art that speaks truths.
The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
Allegations that McLachlan had sexually harassed his fellow performers in the musical’s 2014 production have led to the actor stepping down from his role in the current tour.
The internationally renowned fantasy novelist reveals the magic behind his writing, and why it’s good to talk to your characters.
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors what's in the deal for them.
What is the responsibility of theatre-makers towards live shows that either were created or are set in the past – especially when they depict events which are problematic by contemporary standards?
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to jump off.
For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it, and when to ignore it.
Brian Eno’s 'Music For Airports' celebrates its 40th anniversary this month. To celebrate, we explore the ambient genre.
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
More Opinions and Analysis
This exhibition, currently showing at the Ian Potter Gallery, is testament to an artist that continues to resist the ready categorisation of his work.
Italian Maestro Riccardo Muti conducts the exceptional Australian World Orchestra at the Sydney Opera House for the opening of their 2018 concert season.
This is more than a brand blockbuster with the draw of big bling; it's a story about the emancipation of women, of history, of people - a mapping of the 20th century zeitgeist.
A deeply satisfying all-Stravinsky CD of live recordings released by Decca in January
Good poetry plucks at the heartstrings; it speaks to the emotions as well as to the intellect.
A soft touch lands a cohesive exhibition with a strong message at the hands of Mami Kataoka.
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