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Like a message in a bottle, a colonial rotunda above The Rocks in Sydney is used in tandem with Mozart's music to transport viewers and evoke a journey across the high seas.
Young people’s anxiety levels decrease and their resilience increases when they engage with theatre, new research shows.
After three short years in the role, Gerard Vaughan announced today that he will be stepping down as Director in 2018.
The reality of a permanent contemporary gallery for Adelaide is a step closer this week as its $1.9M Stage One rolls into action with the search for an architect.
As the world mourns the anniversary of the 9/11 attacks this week, another pair of towers in Sydney offer a conversation of respect through art.
The new initiative will drive curatorial scholarship, artist commissions and exhibitions for Victoria's First Nation artists.
The word from the top is that Sydney Contemporary is looking to adopt the Frieze and Miami model.
2018 Adelaide Biennale of Australian Art unveils its list of artists.
Mental health and wellbeing in the arts have gained traction as topics for discussion, but is action being taken as seriously as the conversation?
Watters Gallery calls it a day, joining a string of galleries that have closed their doors globally, but some experts argue that the art business is booming. Learn why.
What do fresh air, English soil and shit have in common? All have been canned, bagged and sold in the name of art … but for Stuart Semple, the offer comes with caveats.
One of Australia’s great private art collections – that of James Fairfax – goes under the hammer this month, potentially returning historic works to public holdings.
Internationally respected and recognised, Dr Yunupingu performed in his native Yolngu language for royalty and presidents.
MONA's founder has announced his intentions to move his summer festival to Launceston and plans for a new hotel.
Always at the fore of cultural change, Gene Sherman reinvents her arts foundation, this time with a focus on nurturing creative thinking and ideas.
AGNSW’s Sydney Modern finally gets the green light after lobbying the NSW Government for support for over four years.
A regional gallery director’s curatorial indulgence opens the door on a national debate, and catches the eye of the Classification Board.
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous Photography saying?
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
Sometimes the music surrounding death tells us as much about the mourners as it does about the dead.
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
A growing trend stimulates a rethink and a conversation about the effectiveness of curatorial collaborations as a new model for galleries.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Independent artists need independent producers; they also need to reconsider some of the negative stereotypes they have about the producer's role.
This week the first ever awards to celebrate the rural touring sector in the UK will take place in Nottingham.
More Opinions and Analysis
Does the exhibition live up to the legend? We walk through QAGOMA’s Richter show – the largest in the southern hemisphere.
Pung successfully embarks on an insightful interrogation of the themes that pervade Marsden's work.
A moving and respectful account of a problematic work.
A survey long overdue. Sitting between sculpture and painting, Mais’ constructions appeal to minimalists and mathematicians alike with their very personal – and organic – approach to abstraction.
This extensive exhibition is not only a tribute to the importance that the House of Dior has had on international fashion but a reflection of its value as art.
In the tradition of The Handmaid’s Tale, Margaret Atwood delivers another disturbing but seductive dystopia.
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