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Hilgeum review: a bold take on traditional Korean music
Rising stars Hilgeum appeared in London as part of the K-Music Festival, a showcase of contemporary Korean music that looks…
MUSIK review: Billie Trix is brash, bad and beautiful
Frances Barber shows her star power in this revival of Billie Trix in MUSIK.
Hidden review: daring production falls short
The impressive physicality doesn't quite save Hidden, the latest circus-dance performance by Motionhouse.
Moulin Rouge! The Musical review: sequins, confetti and a crisis of identity
This energetic musical brings the spectacle of Baz Luhrmann's iconic film Moulin Rouge! but not its heart.
Familiar Touch review: a powerful portrait of life with dementia
In the award-winning Familiar Touch, old age is handled without melodrama or forced tragedy.
The Chair Company review: comedy and conspiracy in corporate America
Starring Tim Robinson, HBO's The Chair Company is a brilliantly absurd office satire .
Last One Out by Jane Harper review: moving and memorable
Jane Harper's Last One Out portrays a town under siege and is not to be missed.
Carmen review: tepid toreadors at the London Coliseum
Carmen, Bizet’s most memorable work, gets sadly lost amidst the fury of this fourth revival.
ENO's Cinderella (La Cenerentola) review: a sparkling but flawed fairytale
Cinderella and her awful sisters are still waiting for their prince in this modern makeover.
Baby Steps review: stupid babies need the most attention
Baby Steps is a game of tremendous intentionality, unbridled fury and weird relatability.
