Reviews
REVIEW: Testing the Echo, Tricycle Theatre, London
REVIEW: Testing the Echo is one of those plays where you only find out what the title refers to halfway…
REVIEW: Deutsche Börse Photography Prize, Photographers’ Gallery, London
REVIEW: The Photographers’ Gallery would have to be the perfect Saturday afternoon gallery. Right in the middle of Soho/Covent Garden…
REVIEW: The Vortex, Apollo Theatre, London
REVIEW: Noel Coward needs no introduction, and Felicity Kendal only needs a tiny one, to make sure you don’t remember…
REVIEW: Days Of Significance, Tricycle, London
REVIEW: There is no interval and scarcely any break in the searing intensity of the subject matter, language and violence.…
REVIEW: Ansel Adams, City Art Centre, Edinburgh
REVIEW: Gordon Haynes reviews Ansel Adams: "The artistry shines out and, for their time, they must have been truly ground-breaking".
REVIEW: Jonah and Otto, The Royal Exchange Theatre
REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…
REVIEW: Major Barbara, National Theatre
REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…
REVIEW: Now Then, The Bluecoat, Liverpool
REVIEW: To the non-football fan, Liverpool is synonymous with the Beatles, and the Beatles are synonymous with Yoko Ono. So…
REVIEW: The Children's Hour, The Royal Exchange Theatre, Manchester
REVIEW: Sarah Frankcom, (a newly appointed Artistic Director at The Royal Exchange Theatre), draws on expressionist techniques to heavily underline…
REVIEW: The Hour We Knew Nothing of Each Other, National Theatre
REVIEW: If you have absolutely nothing else to do then try watching Eastenders with the sound off. Doesn’t have to…