Reviews
REVIEW: The Vortex, Apollo Theatre, London
REVIEW: Noel Coward needs no introduction, and Felicity Kendal only needs a tiny one, to make sure you don’t remember…
REVIEW: Days Of Significance, Tricycle, London
REVIEW: There is no interval and scarcely any break in the searing intensity of the subject matter, language and violence.…
REVIEW: Ansel Adams, City Art Centre, Edinburgh
REVIEW: Gordon Haynes reviews Ansel Adams: "The artistry shines out and, for their time, they must have been truly ground-breaking".
REVIEW: Jonah and Otto, The Royal Exchange Theatre
REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…
REVIEW: Major Barbara, National Theatre
REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…
REVIEW: Now Then, The Bluecoat, Liverpool
REVIEW: To the non-football fan, Liverpool is synonymous with the Beatles, and the Beatles are synonymous with Yoko Ono. So…
REVIEW: The Children's Hour, The Royal Exchange Theatre, Manchester
REVIEW: Sarah Frankcom, (a newly appointed Artistic Director at The Royal Exchange Theatre), draws on expressionist techniques to heavily underline…
REVIEW: The Hour We Knew Nothing of Each Other, National Theatre
REVIEW: If you have absolutely nothing else to do then try watching Eastenders with the sound off. Doesn’t have to…
Zeitgeist comes to the Science Museum
Ben Rubin and Mark Hansen’s emotive Listening Post takes its place in the galleries of communication.
REVIEW: From Russia, Royal Academy
REVIEW: The Romanov royal family’s crest was a double-headed eagle looking east and west, a mythical metaphor for an unlikely…