Reviews
THEATRE REVIEW: Drifting and Tilting
Scott Walker's Drifting and Tilting at the Barbican Theatre last week was a consummate performance art miracle.
THEATRE REVIEW: Delirium, Theatre O at the Barbican Pit
I do not know whether Enda Walsh is a dab hand in the kitchen but he’s introduced more than a…
OPERA REVIEW: A Secret Marriage, Scottish Opera
I like Mozart and, as Cimarosa’s music has what Scottish Opera call a familiar Mozartian feel, I assumed that it…
THEATRE REVIEW: The Norman Conquests
The only problem with The Norman Conquests by Alan Ayckbourn at the Old Vic is deciding which to see first$$s$$…
THEATRE REVIEW: Oedipus
Ralph Fiennes’ excellent performance at the National Theatre, as Sophocles’ Oedipus, completely captures the growing horror of the worst happening…
FASHION REVIEW: The Forgotten Peacock
Young Greek costumier-scenographer takis strikes a resonant chord with his lavish pitch to reclaim the forgotten peacock in the conformist…
THEATRE REVIEW: The White Devil
Jonathan Munby’s production of Webster’s revenge tragedy is ambitious and effective. Strong characterisations and the relatively small playing area make…
DANCE REVIEW: Lunar Sea, MOMIX at Sadler's Wells
It was a perfect symbiosis of dance, visuals and music through which MOMIX managed to create a magical, ethereal atmosphere…
THEATRE REVIEW: The Walworth Farce
I cannot imagine in-flight entertainment on even the plushest of private planes coming close to Druid’s internationally renowned production of…
THEATRE REVIEW: A Disappearing Number
Much of the complex theory expressed in the play was beyond me and, I suspect, most of the rest of…