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THEATRE REVIEW: Delirium, Theatre O at the Barbican Pit

I do not know whether Enda Walsh is a dab hand in the kitchen but he’s introduced more than a…

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OPERA REVIEW: A Secret Marriage, Scottish Opera

I like Mozart and, as Cimarosa’s music has what Scottish Opera call a familiar Mozartian feel, I assumed that it…

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THEATRE REVIEW: The Norman Conquests

The only problem with The Norman Conquests by Alan Ayckbourn at the Old Vic is deciding which to see first$$s$$…

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THEATRE REVIEW: Oedipus

Ralph Fiennes’ excellent performance at the National Theatre, as Sophocles’ Oedipus, completely captures the growing horror of the worst happening…

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FASHION REVIEW: The Forgotten Peacock

Young Greek costumier-scenographer takis strikes a resonant chord with his lavish pitch to reclaim the forgotten peacock in the conformist…

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THEATRE REVIEW: The White Devil

Jonathan Munby’s production of Webster’s revenge tragedy is ambitious and effective. Strong characterisations and the relatively small playing area make…

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DANCE REVIEW: Lunar Sea, MOMIX at Sadler's Wells

It was a perfect symbiosis of dance, visuals and music through which MOMIX managed to create a magical, ethereal atmosphere…

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THEATRE REVIEW: The Walworth Farce

I cannot imagine in-flight entertainment on even the plushest of private planes coming close to Druid’s internationally renowned production of…

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THEATRE REVIEW: A Disappearing Number

Much of the complex theory expressed in the play was beyond me and, I suspect, most of the rest of…

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DANCE REVIEW: Bangarra Dance Theatre with The Australian Ballet, Rites at Sadler's Wells

Bangarra Dance Theatre is proclaimed to be Australia's most celebrated contemporary dance initiative inspired and informed by indigenous practices. This…

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