Performing Arts
Association Esthétique de l'Est
QIANKUN 2027 Open Call
We warmly invite artists and creators from around the world, from different cultures, disciplines and artistic backgrounds, to participate in…
Bush Theatre
Darkling
Bhopal. India. 1984. I walk home. The skyline is changed. The skeleton is fast becoming a huge metal creature. They…
Dolly Parton’s genius in 3 great songs
Jolene, I Will Always Love You and 9 to 5 showcase the incredible talent of the late, great Dolly Parton.
What I’ve Learned: Thomas Gorham, acrobat
Acrobat and circus artist Thomas Gorham of Head First Acrobats discusses his career, what it's like to perform naked and…
‘Throwing money into a black hole’: The reality of taking an Australian show to Edinburgh Fringe
The fantasy of being ‘discovered’ is only part of the appeal. So why do artists risk everything for Edinburgh Fringe?
What I’ve Learned: Amy Hume, voice & dialect coach
Amy Hume's work involves 'teaching actors to sound like someone else'. She discusses her career and offers advice.
Equus review: a wild and unforgettable ride
Fifty years on, Equus still leaves audiences in a state of conflicted astonishment.
Theatre of the World interview: the Chilean artists tapping into puppetry’s power
Chilean theatre company Silencio Blanco uses puppetry to create powerful, documentary-style theatre works that are now touring the world.
What I’ve Learned: Kiana Daniele, Intimacy Coordinator and Director
Kiana Daniele discusses her work, and what she's learned, as an intimacy coordinator for stage and screen.
Cult band Angine de Poitrine and the line between tribute and imitation
In the age of the algorithm, imitation is no longer just a matter of homage.