Feature
Miss Piggy isn’t just a fashion icon, she also charts the changing expectations of women
Analysing the Miss Piggy puppet over the years reveals just how much the world has changed for women.
Hedwig and the Angry Inch at 25: John Cameron Mitchell on his cult hit
John Cameron Mitchell celebrates a film that's greatest legacy may be its refusal to belong to anyone.
Digital piracy can be an act of love in a world where online media disappears
Sometimes digital piracy is the only way to watch – and keep alive – your favourite TV shows or movies.
Winning werewolf films to howl at before Robert Eggers’ Werwulf
Howl at the moon, the time of the werewolf is nigh.
A24 and Google have partnered to develop AI filmmaking tools
A24 is reportedly looking to develop applications for AI-generated storyboards, as a start.
La Haine’s stylish approach still feels modern and incisive three decades on
Approaching La Haine for the first time, its relevance to the here and now is staggering.
Remarkably Bright Creatures review: Sally Field shines in sweet film adaptation
Remarkably Bright Creatures presents the world through the eyes of a clever octopus, a grieving mother and a wayward drifter.
What vampire films reveal about our world
Vampires have long been part of our global cultural mythology, elevated by their appearances in popular vampire films.
The Deb review: Rebel Wilson’s directorial debut is a charmer
Natalie Abbott and Charlotte MacInness shine bright in Rebel Wilson's debut musical comedy.
Anemone review: Ronan Day-Lewis’ debut directorial feature is a slog
Not even Daniel Day-Lewis’ leading turn can help Anemone rise above its ploddingly verbose dialogue.