Trends and Analysis
Only 8% of UK artists come from working class background
A new study making waves in the UK finds that people from low-income backgrounds are less likely to become artists.
Are ‘quiet firing’ and ‘quiet quitting’ real in the arts?
Are the arts the perfect breeding ground for the global trend of ‘quiet firing’ and ‘quiet quitting’, systemically plagued by…
Vegan art materials: taking the animal out of art
Put an end to dead animals in your art, and learn more about vegan art supplies.
Has digital debunked the book fair?
With the pandemic closing down major events in the publishing industry, the virtual book fair offers advantages and challenges.
Why the Great Resignation is an opportunity, not a loss
The aura around an arts job is fading, the sector needs to take the hint.
What does ‘international’ mean post pandemic for exhibition programming
As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…
Keeping safe while working with sensitive subjects
Mental health should come first in planning and creating a production, according to Indigo Paul, who gives us a perspective…
Digital is here to stay: how funders can support artists in the post-COVID landscape
With snap lockdowns and hybrid events part of the new normal Dr Jackie Bailey sees an opportunity for the creative…
Know my name – and don’t forget it
Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia.
Finding a place in the strange new world of NFTs
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…