Performing Arts
An evening at the opera
ARTS HUB AUSTRALIA: Our new Sydney-based Commissioning Editor reflects on some recent nights at the opera... and a saturday evening…
Keep the work rolling in: How to survive as a performance artist
Nearly half of those working in the UK performance industry earn less than £6,000 per year as performers, or within…
Career profile: Maeve Davey, communications and co-ordination at The Beat Initiative
Meabh Ritchie talks to Maeve Davey who works for The Beat Initiative, co-ordinating community and carnival arts production in Belfast…
Winds of change
Tara Brabazon looks at the greatest social and political challenge of our time: emotional and intellectual disconnection from any issue,…
REVIEW: Saint Joan, National Theatre
REVIEW: David Trennery says the National Theatre's production of Saint Joan is "like this year’s Wimbledon... a gruelling 5 setter..."
How to write a best seller: An interview with Rusty Young
What does it feel like to write a best-selling book? Rusty Young published Marching Powder in 2003 and its ingredients…
Interview with Walter Keeler, Welsh Artist of the Year
Walter Keeler has been a potter for over forty years and has just been made Welsh Artist of the Year.…
REVIEW: Mem Morrison, Leftovers, Kingsland Cafe
REVIEW: We’d travelled to Dalston Kingsland in East London to see Leftovers, a play in a cafe, about typical London…
Virtually dancing
All you professional dancers out there, imagine a world where you could turn a jete' into a mid-air pirouette, where…
Career Profile: Nick Hennegan, theatre producer
Nick Hennegan set up Maverick Theatre in Birmingham in 1994 with composer Robb Williams - on the eve of their…