Performing Arts
REVIEW: I have a secret to tell you (please) leave with me, Zero Visibility Corps
REVIEW: Fiona Kelly, winner of Arts Hub's competition to review opening night of Dancing the World, in Newcastle, tells us…
REVIEW: Patient No. 1, York Theatre Royal
REVIEW: Firstly a confession. I am not political. I have never felt inclined to fight the system, protest, go on…
Alfred Hitchcock`s Cockneyisms
"On those occasions when director Alfred Hitchcock interviewed journalists at his Cromwell Road flat, he`d disrobe to the waist, cover…
Career profile: Catherine Edwards, programmes director for Script
Catherine Edwards is programmes director for Script, the West Midlands agency for dramatic writers. Previously Stagecoach West Midlands, the organisation…
LA Stories
In his last column, computer science professor and aspiring rock musician Serge Belongie grapples with self doubt over his musical…
Keith Khan: Head of Culture for the London 2012 Cultural Olympiad
Keith Khan's challenge as Head of Culture for the London 2012 Cultural Olympiad is to coordinate a celebration of culture…
REVIEW: The Histories, by the RSC at the Roundhouse, London
REVIEW: Shakespeare’s history plays form two cycles. Confusingly the early cycle consists of four plays about Kings Henry VI and…
Marilyn Monroe: Larger in death
There`s a decided irony and one which probably would amuse Marilyn Monroe herself that La Diva is more famous now…
Jamila Gavin: Re-working Shakespeare
Shakespeare 24 is the largest ever global Shakespeare festival. It takes place on 23rd April, timed to coincide with what…
In conversation with Sophie Macpherson - fine art recruiter
Sophie Macpherson - if the name sounds familiar it's no wonder: Sophie runs the fine art world's best known recruitment…