Film
The Plague review: a creepy coming of age movie
Charlie Polinger’s debut feature The Plague understands the brutal games of teenage boys all too well.
Anemone review: Ronan Day-Lewis’ debut directorial feature is a slog
Not even Daniel Day-Lewis’ leading turn can help Anemone rise above its ploddingly verbose dialogue.
Do animals have a future on Hollywood sets?
Hollywood’s adoption of visual effects has had an outsized role in putting many animal actors out of work.
Sirât review: a tempestuous work of brilliant cinematic art
Following a father and son on a desperate journey, Sirât is a visceral study of hope and despair.
Taxi Driver at 50: Martin Scorsese’s film remains a troubling reflection of our times
The social and psychological forces Taxi Driver brought into focus have not disappeared.
Wuthering Heights review: a provocative sadomasochistic joy
Brontë's tormented tale has been repackaged and reimagined for a new generation, and it's spectacular.
We Bury the Dead review: gruesomely hilarious Tasmanian survival thriller
In We Bury the Dead, Hobart has been annihilated: cue a future cult classic film with a wow-a-minute story.
Is This Thing On? review: all-star cast but no all-star result
Just like the troubled marriage it follows, Is This Thing On? struggles to find its way.
From stage to screen: four creatives discuss sideways career shifts
Leticia Cáceres, Elizabeth Coleman, Priscilla Jackman and Jean Tong describe how they adapted skills honed in the theatre into film…
Wicked: For Good review – a cinematic experience to savour
A terrific cast, unforgettable score and rich visual imagery combine to near perfection in Wicked: For Good.