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Aerialist Lauren Watson in a scene from 'NERVE'. Photo: Cinnamon Smith. A performer with her leg and arms raised, balancing on her sitting bones. The background is pitch black with soft lights illuminating her body.
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A matter of perception 

Disabled entrepreneurs who choose the arts to engage with their audiences.

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How method acting could empower women

Natalie Portman says method acting is a ‘luxury women can’t afford’ – but new research shows how it can empower…

Photo: Stelios Kazazis, Unsplash. Three sculptures of goddesses on the architectural column of the Parthenon.
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Australians fighting for the Parthenon Marbles’ return

A major campaign in Australia has been active since the 1980s in building a movement around the return of the…

Cessalee Stovall delivers a Stage A Change workshop at Darlinghurst Theatre Company. Photo: Amylia Harris. Stovall stands on the right hand side, speaking to a group of people who are sitting around tables. She is a woman with black curly hair tied up in a bun, brown skin, wearing a pink cardigan.
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Perspectives on the concept, craft and currency of community engagement

Forward-thinking performing arts organisations are embracing community engagement in new and expansive ways.

Alison McKay, Untitled, 2017, Sand and nails on wooden stand. Image: Supplied. An artwork consisting of a tiny precarious plinth with nails hammered into the top, and loose damp sand surrounding the nails.
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Why is the art world still married to meritocracy?

Part lottery, part systematic exclusion: three artists speak about the limitations of the meritocratic approach, and imagine how the art…

Left: Lavinia Fontana, ‘Mystic marriage of Saint Catherine’, 1574-77 oil on copper. NGV, Felton Bequest, 2021. Image: Supplied. Right: Artemisia Gentileschi, ‘Lucretia’, c.1630-35 oil on canvas. Private collection. Image: Supplied.
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Do you know the first female professional artists in Western history?

Lavinia Fontana, Sofonisba Aguissola and Artemisia Gentileschi sustained rewarding artistic practices with an entrepreneurial mindset.

NVAEC, Two women in black stand side by side in front of Indigenous wall hanging art. Kelli Cole, Warumungu and Luritja peoples, Curator, Special Projects, Aboriginal and Torres Strait Islander Art and Hetti Perkins, Arrernte and Kalkadoon peoples, co-Curator, in Emily Kam Kngwarray, National Gallery of Australia, Kamberri/Canberra, 2023. Photo: Sam Cooper.
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Repositioning: teaching and learning in the visual arts

The fifth National Visual Art Education Conference (NVAEC) saw teachers, artists and curators gathering to share ideas, inspire each other…

Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
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To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

Photograph of a road sign warning of traffic lights ahead that is half-submerged in floodwaters.
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Why writing ‘cli-fi’ might relieve your eco-anxiety

How does writing fiction focused on climate change impact those who write it? Dr Rachel Hennessy, Alex Cothren and Amy…

literary speed dating. Image is an open book with the pages folded in to make the shape of a heart.
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Literary speed dating: swipe left or right?

Do you think you may be a good candidate for a three-minute power pitch to publishers and agents?

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