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Wuthering Heights review: a provocative sadomasochistic joy
Brontë's tormented tale has been repackaged and reimagined for a new generation, and it's spectacular.
We Bury the Dead review: gruesomely hilarious Tasmanian survival thriller
In We Bury the Dead, Hobart has been annihilated: cue a future cult classic film with a wow-a-minute story.
Is This Thing On? review: all-star cast but no all-star result
Just like the troubled marriage it follows, Is This Thing On? struggles to find its way.
Feedback review: artist Olukemi Lijadu mixes a vibrant story about the African diaspora
In Feedback, artist Olukemi Lijadu live-mixes the fragmented history of the diaspora into a triumphant, amplified present.
London Art Guide, February 2026: best art, theatre and music
This month’s London art guide brings you our top picks of the best art, theatre and music including opera, exhibitions,…
2:22 – A Ghost Story review: high volume and low stakes strike a hollow note
Stripped of its celebrity anchors, Danny Robins’s paranormal thriller relies on ear-piercing volume rather than psychological tension to generate its…
Clementine review: a riot in a Regency dress
There's a chaotic energy to the hilarious comedy Clementine.
Censorship concerns sparked as another Venice Biennale artist cancelled
South Africa’s Arts and Culture Minister has cancelled his country’s chosen project for the 2026 Venice Biennale, reigniting arts censorship…
Best new awards and arts prizes: January 2026
This month’s awards and prizes celebrate the best in poetry, painting, creative writing and innovative museum practice.
Lost Atoms review: a filing cabinet of the soul
An inventive production by Frantic Assembly, Lost Atoms explores the experience of love and loss.