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Sunny Afternoon review: The Kinks come alive in Technicolor
More than a simple jukebox trip down memory lane, this production is a witty, heartfelt, and infectiously joyous portrait of…
The Wanderers review: a thoughtful examination of modern American Jewishness
Anna Ziegler's The Wanderers offers an intergenerational look at artistic and religious angst.
Every Brilliant Thing review: Minnie Driver is 'exceptionally good'
Minnie Driver delivers an extraordinary solo performance in the moving play Every Brilliant Thing.
Hilgeum review: a bold take on traditional Korean music
Rising stars Hilgeum appeared in London as part of the K-Music Festival, a showcase of contemporary Korean music that looks…
MUSIK review: Billie Trix is brash, bad and beautiful
Frances Barber shows her star power in this revival of Billie Trix in MUSIK.
Hidden review: daring production falls short
The impressive physicality doesn't quite save Hidden, the latest circus-dance performance by Motionhouse.
Moulin Rouge! The Musical review: sequins, confetti and a crisis of identity
This energetic musical brings the spectacle of Baz Luhrmann's iconic film Moulin Rouge! but not its heart.
Carmen review: tepid toreadors at the London Coliseum
Carmen, Bizet’s most memorable work, gets sadly lost amidst the fury of this fourth revival.
House concerts – what are they, and are they on the rise?
ArtsHub Australia talks with producer Drew Fairley on the pros and cons of presenting house concerts.
ENO's Cinderella (La Cenerentola) review: a sparkling but flawed fairytale
Cinderella and her awful sisters are still waiting for their prince in this modern makeover.
