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Keep the work rolling in: How to survive as a performance artist
Nearly half of those working in the UK performance industry earn less than £6,000 per year as performers, or within…
Art and Money: Strange Bedfellows
“A starving artist…sacrifices material well-being in order to focus on their artwork. They typically live on minimum expenses, either for…
Platform 1: Shock and Bore
I’m advised that a column can be personal and opinionated. As some things just get me hot under the collar,…
Ghosts of Cité Soleil: This ain’t no Hollywood movie...
Danish filmmaker Asger Leth travelled to Haiti in February 2004, just as the Aristide government finally collapsed. Ghosts of Cité…
REVIEW: Aberdeen Art Gallery, The Collection
Gordon Haynes reviews the collection at the Aberdeen Art Gallery as a mixed bag - "it’s warm and it’s mostly…
Winds of change
Tara Brabazon looks at the greatest social and political challenge of our time: emotional and intellectual disconnection from any issue,…
Career profile: Maeve Davey, communications and co-ordination at The Beat Initiative
Meabh Ritchie talks to Maeve Davey who works for The Beat Initiative, co-ordinating community and carnival arts production in Belfast…
REVIEW: Saint Joan, National Theatre
REVIEW: David Trennery says the National Theatre's production of Saint Joan is "like this year’s Wimbledon... a gruelling 5 setter..."
How to write a best seller: An interview with Rusty Young
What does it feel like to write a best-selling book? Rusty Young published Marching Powder in 2003 and its ingredients…
REVIEW: Mem Morrison, Leftovers, Kingsland Cafe
REVIEW: We’d travelled to Dalston Kingsland in East London to see Leftovers, a play in a cafe, about typical London…
