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Discovering poetry acorns
In her first column on the arts in Scotland, Rachel Chown looks at the Poetry Library and two poetry events…
How to catch a shark, part one: Whose copyright is it anyway?
When Damien Hirst unveiled his diamond-encrusted skull, hands up all those who thought he’d sat up all night sticking the…
Artist interview: Jenny Matthews
"On the first floor of Edinburgh College of Art at the end of a corridor overlooking the Sculpture Court, I…
Review: The Simpsons Movie
Like the second coming of Christ it would be something of an understatement to say that The Simpsons Movie has…
Career Profile: Jessica Ferguson, film maker
Jessica Ferguson is one of London’s new generation of filmmakers, studying film at the London College of Communication but to…
Empty Skulls and Pearly Kings
Moogee gets snarly about skulls, commercialism and the art world.
A Passage to India
ARTS HUB AUSTRALIA: In 2006 I travelled to India and spent a month discovering and working with artists trained in…
Jardins Publics: The history and role of gardens in life, art and Edinburgh
Edinburgh International Festival invited the curator Katrina Brown to conceive of a series of events which celebrate and draw attention…
Two authors: two headlines
As the final book in JK Rowling’s Harry Potter series dominated publishing industry events last month, selling a record-breaking three…
REVIEW: I For India, ICA films
While I For India is billed as Sandhya Suri’s first feature length documentary, the reality is that its makers are…
