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Watching you, watching me: Surveillance cinema
Following on from last Friday's feature on censorship and the arts, Garan Holcombe takes a look at ‘surveillance cinema’, which…
REVIEW: The Hothouse by Harold Pinter, National Theatre
It has been a good year for Harold Pinter: Betrayal sold out at the Donmar and now Britain’s greatest living…
Career Profile: Doreen Wittenbols, painter
Jesse Errey speaks to Doreen Wittenbols, a Dutch/Canadian painter currently working and exhibiting in Amsterdam, in the Netherlands.
Heading for Edinburgh: Shazia Mirza, comedian
Shazia Mirza is a comedian in huge international demand. Dressed in her traditional Muslim headscarf, Shazia gained much notoriety early…
A short story to success: Tales of the DeCongested and Apis Books
Publishers will tell you that there's no market for the short story - but short story entrepreneur Rebekah Lattin-Rawstrone tells…
REVIEW: A Short History of Tractors, in the UK rain again
Last weekend Gordon Haynes visited Tractor Fest in Nethy Bridge, part of the annual historical Steam Fair at nearby Boat…
Hear no evil
In the wake of 9/11 many artists have consented to self-censorship so as not to upset the apple cart, and…
Career Profile: Roger Burton, curator and stylist
Roger Burton, former mod and fringe stylist extraordinaire was commissioned to design Westwood and McClaren's Worlds End shop after a…
Art and the Shopping Mall
For most people, shopping malls would be generally regarded as existing at pretty much the polar opposite end of the…
An evening at the opera
ARTS HUB AUSTRALIA: Our new Sydney-based Commissioning Editor reflects on some recent nights at the opera... and a saturday evening…
