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How to catch a shark, part one: Whose copyright is it anyway?
When Damien Hirst unveiled his diamond-encrusted skull, hands up all those who thought he’d sat up all night sticking the…
Artist interview: Jenny Matthews
"On the first floor of Edinburgh College of Art at the end of a corridor overlooking the Sculpture Court, I…
A Passage to India
ARTS HUB AUSTRALIA: In 2006 I travelled to India and spent a month discovering and working with artists trained in…
REVIEW: The Hothouse by Harold Pinter, National Theatre
It has been a good year for Harold Pinter: Betrayal sold out at the Donmar and now Britain’s greatest living…
Career Profile: Doreen Wittenbols, painter
Jesse Errey speaks to Doreen Wittenbols, a Dutch/Canadian painter currently working and exhibiting in Amsterdam, in the Netherlands.
Heading for Edinburgh: Shazia Mirza, comedian
Shazia Mirza is a comedian in huge international demand. Dressed in her traditional Muslim headscarf, Shazia gained much notoriety early…
Hear no evil
In the wake of 9/11 many artists have consented to self-censorship so as not to upset the apple cart, and…
Career Profile: Roger Burton, curator and stylist
Roger Burton, former mod and fringe stylist extraordinaire was commissioned to design Westwood and McClaren's Worlds End shop after a…
An evening at the opera
ARTS HUB AUSTRALIA: Our new Sydney-based Commissioning Editor reflects on some recent nights at the opera... and a saturday evening…
Keep the work rolling in: How to survive as a performance artist
Nearly half of those working in the UK performance industry earn less than £6,000 per year as performers, or within…
