Glass has become such a common commodity it is largely taken for granted – and its use in the realms of art and design often overlooked.
The National Glass Centre in Sunderland, despite its role as an exhibition, education and research space, has experienced a drop in visitors since it first opened its doors to the public four years ago, but Chief Executive Jules Preston hopes the stability offered by a three-year funding strategy from the regional arts and city councils will enable the centre to focus on developing audiences and nurturing young artists’ talents.
