A Classic Case

Attracting audiences to contemporary classical music performances is no easy task. The difficulties posed by dwindling audiences for the genre feed down to the composers themselves, complicating their attempts to identify and successfully apply for appropriate sources of funding, and also, to get their work commissioned. The British Academy of Composers and Songwriters recently launched a regional
[This is archived content and may not display in the originally intended format.]
Artshub Logo

Attracting audiences to contemporary classical music performances is no easy task. The difficulties posed by dwindling audiences for the genre feed down to the composers themselves, complicating their attempts to identify and successfully apply for appropriate sources of funding, and also, to get their work commissioned. The British Academy of Composers and Songwriters recently launched a regional composers network, which aims to provide greater communication and resources to composers, in the hope of raising the music’s profile. However, Julian Lancaster, the Academy’s Head of Classical Relations, believes the media’s coverage of contemporary classical music, or lack of, isn’t helping.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Michelle Draper
About the Author
Michelle lived and worked in Rome and London as a freelance feature writer for two and a half years before returning to Australia to take up the position of Head Writer for Arts Hub UK. She was inspired by thousands of years of history and art in Rome, and by London's pubs. Michelle holds a BA in Journalism from RMIT University, and also writes for Arts Hub Australia.