Reviews
REVIEW: Saint Joan, National Theatre
REVIEW: David Trennery says the National Theatre's production of Saint Joan is "like this year’s Wimbledon... a gruelling 5 setter..."
REVIEW: Mem Morrison, Leftovers, Kingsland Cafe
REVIEW: We’d travelled to Dalston Kingsland in East London to see Leftovers, a play in a cafe, about typical London…
REVIEW: The Last Confession, Theatre Royal, Haymarket
REVIEW: This week the theatre press is buzzing with news from the Theatre Royal, Haymarket, where three productions by the…
REVIEW: Dead Man’s Shoes
As Shane Meadows's latest film This is England makes it to DVD this month Garan Holcombe reflects on another of…
REVIEW: The LSO's innovative Sound Adventures
Meabh Ritchie reviews Sound Adventures from The London Symphony Orchestra and UBS, which is an innovative commissioning project that will…
REVIEW: Claire Harkess at The Plockton Gallery
REVIEW: Gordon Haynes looks at Plockton Gallery's exhibition of work by Claire Harkess, who was born in Ayr, Scotland and…
REVIEW: Harold and Maud, a neglected cult classic
ARTS HUB UK — The film, Harold and Maude, by Hal Ashby has an enormous and zealous cult following, despite…
REVIEW: Gaslight, The Old Vic
REVIEW: "It is a rare pleasure to see a good story well told," says David Trennery about the Old Vic's…
REVIEW: The Lord of the Rings, musical, at the Theatre Royal
David Trennery thinks that The Lord of the Rings, the musical, at the Theatre Royal, Drury Lane is a lot…
REVIEW: Fiddler on the Roof, The Savoy Theatre
REVIEW: Actor, musician and writer, Ben Fleetwood Smyth reviews the latest production of Fiddler on the Roof, showing at The…