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A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists leaving the sector due to dwindling career opportunities and lack of financial support.
Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent 18 months developing an expansive Disability and Inclusion Action Plan for Arts House.
Opinions & Analysis
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in the industry needs to change, says performer, researcher and educator Jazmin Ealden.
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about different phases of their practice?
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
After 49 weeks, The Boy Who Lived returns to the Melbourne stage; the first international production of the sequel to return after COVID 19. But does the story survive in 2021?
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K. Rowling’s transphobia on the Harry Potter brand.
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects on a seminal moment in First Nations art history and a new exhibition he has curated to celebrate the landmark event.
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19, and there will be a greater place for craft businesses.
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust arts industry that is ready for anything and anyone, argues Fleur Kilpatrick.
What should we take with us from COVID? In a year when everything changed, Shantel Wetherall looks at how we could embrace another major shift in our thinking, akin to that needed to engage effectively with the global climate emergency.
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts organisations engage with this potentially huge audience segment.
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up Disabled in Australia.
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed the human connection. Jane O’Sullivan looked at how COVID-19 changed galleries forever.
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged determination means the shows can go on.
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a fresh approach to its collection and exhibition spaces.
Almost a year into the pandemic's impact on the arts, now is the time to look beyond emergency support programs to ask tough questions about working conditions and social recognition of artists.
As we emerge from our COVID-induced hibernation, it’s time to embrace some old-school networking in the real world. Here are some tips to help you do it.
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