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From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps the week's arts news.
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
Opinions & Analysis
A new program led by the British Council pairs Australian and British arts colleagues from minority and First Nations backgrounds to affect future decision making.
The impostor phenomenon breeds from a mix of genuine personal doubt over work abilities and the collective experience of a toxic work culture.
Does alcohol lubricate our creativity or stifle our best work? Creatives weigh in on how sober stints have impacted their creative process and offer advice for rethinking your relationship with alcohol.
Curated by Kentridge himself, this is a great celebration of creative engagement and its capacity to dovetail into every aspect of life.
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on.
Screenwriter, script advisor and educator Kathryn Burnett schools you up on nailing your script.
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively.
Do you freeze at the thought of doing an interview with the media? Here are a few tips on how to conduct yourself like a pro when a microphone is shoved up your nostril.
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual offerings, with the revised thinking as "creative tourism".
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
If we only focus on developing art that is readily consumable, we risk contributing to a homogenous theatre.
Unlocking a child’s imagination is just the beginning when it comes to creating theatre for young people. ArtsHub asked two expert Producers in Children's Theatre how the job gets done.
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy systems of oppression and identity.
Sydney Contemporary art fair was the setting for a long overdue debate on ‘gender discounting’ within the contemporary art market.
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice for budding artists.
An Australian art business takes on the toughest art market in the world – and it’s making waves.
Independent artists sometimes have only a vague sense of how working with a producer might benefit them - or even what a producer does.
The National Gallery of Australia had one of the largest acquisition budgets in the world in the 70s. A new exhibition forces us to question the value of the arts today.
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