Code, print and bang! How code is impacting design Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles The Sydney Opera House is not a billboard – sector speaks out (locked) Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on. Barcelona based architect reveals 2018 MPavilion commission (locked) Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision. How to write an art-wank free artist statement (locked) Remember, an artist's statement is a practical and professional tool. It doesn’t have to be a complicated academic paper. Here are 7 tips to getting it right. How to make ideas happen (locked) Three creative entrepreneurs – the founders of Parlour Gigs, Underground Cinema and Envato – share how they got started; how they got funding, and how you stay on track. (Premium content) Premium content Gina Fairley Monday 30 July, 2018 From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Studio Pinaffo Pluvinage, France, Papier Machine, 2018 Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.