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Funding

Creative Scotland

Open Fund for Individuals

The Open Fund for Individuals is one of Creative Scotland’s key funding programmes, supporting the wide range of activity initiated…

Funding

Creative Scotland

National Lottery Open Fund for Organisations

This fund aims to support organisations who seek funding to undertake creative activity such as a specific project or production,…

Funding

Creative Scotland

Touring Fund for Theatre and Dance

The Touring Fund for Theatre and Dance supports professional theatre and dance productions of varying scales to tour across Scotland.…

Funding

Screen Scotland

Professional Development Fund

This fund provides support for freelance individuals working within Scotland’s film and TV sectors to access training, mentoring and other professional development activities in…

Funding

Screen Scotland

Project Post Fund

The Project Post Fund is designed to encourage large-scale film and TV productions to undertake their post-production and VFX work…

Funding

Screen Scotland

Distribution Fund

A fund that supports the distribution of Scottish feature films to reach a wide and diverse a domestic audience. For more…

Funding

Screen Scotland

National Lottery Film Festival and Screening Programme Fund

Funding to support organisations who are looking to produce film festivals and screening programmes in Scotland for a public audience. For…

Funding

Museums Galleries Scotland

Innovation Fund

As part of the Museum Futures Programme, museums in Scotland can apply for up to £250,000 to develop activity that…

Funding

Museums Galleries Scotland

Unlocking Potential Fund

With grants of up to £100,000, the Unlocking Potential Fund can help prepare the way for strategic development of your…

Romesh Ranganathan as Bill and Sheridan Smith as Susan in Woman in Mind. Photo: Marc Brenner.
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Woman in Mind review: a very British and darkly comic drama

Alan Ayckbourn’s forty-year-old tragicomedy of stifling suburban life, Woman in Mind, doesn’t quite survive the transition to today.

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