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Heartbreak High review: the Hartley High kids are back for a final season of chaos
This season, Heartbreak High tackles big questions about leaving school and facing the future.
A Midsummer Night’s Dream review: this fresh staging knows its power
Director Holly Race Roughan's A Midsummer Night’s Dream is sharper, stranger and more human than most.
Macbeth review: Bristol's Tobacco Factory explores the ordinary roots of evil
Tobacco Factory’s ensemble‑driven Macbeth turns the spotlight from its doomed hero to the web of people who enable both his…
Best new awards & arts prize winners: March 2026
Discover this month's best awards, opportunities and arts prize winners.
The Plague review: a creepy coming of age movie
Charlie Polinger’s debut feature The Plague understands the brutal games of teenage boys all too well.
Anemone review: Ronan Day-Lewis’ debut directorial feature is a slog
Not even Daniel Day-Lewis’ leading turn can help Anemone rise above its ploddingly verbose dialogue.
Echo review: artist Klára Hosnedlová uses living fungi to explore time, growth and decay
In Echo, artist Klára Hosnedlová blends industrial structures, hand-worked fibres and living fungi into an installation that is constantly shifting.
Heart to Heart review: artist Yin Xiuzhen stitches memory into the fabric of a changing world
Clothing, concrete and memory collide in In Yin Xiuzhen's lastest solo exhibition, part of a three-decade reckoning with what rapid…
Threads of Life review: Chiharu Shiota’s captivating webs of memory at the Hayward
In Threads of Life, Chiharu Shiota delivers a spectacular and truly immersive experience.
London Art Guide March 2026: best art, theatre and music
This month’s London art guide brings you a play in a bar, an inspiring retrospective of an iconic artist, and…