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What’s New at The Cornerhouse?
The Cornerhouse: is currently half way through its five-year plan The Art of With, which was conceived in anticipation of…
When No One Is Watching
WHEN NO ONE IS WATCHING: This company shows that there is just as much to glean from the making of…
Blood & Gifts at the National
BLOOD AND GIFTS: The impressive play script is animated magnificently by a stellar cast. The lead is the largely unflappable…
John Kelly: PROBE
PROBE: The sculptures are frequently elevated above us, so that we become almost childlike, gazing up to appraise them, while…
Deathtrap
DEATHTRAP: Rob Howell’s set design is truly terrific. The staggered geometry of the one room in which all the action…
Sunday Art Fair
SUNDAY: Descending into an industrial alley to find the concrete refuge feels raw and arguably more interesting than the more…
Anthony Sher Breaks Glass at Tricycle
BROKEN GLASS: The ‘political’ in Miller, and all good playwrights, is expressed on the stage through the decisions certain people…
Krapp’s Last Tape
KRAPPS LAST TAPE: Beneath its deceptively superficial exterior the play is the most poignant of Beckett’s oeuvre – full of…
Mark Ronson on Tour
MARK RONSON: The set started with a catchy but alien instrumental track, “Circuit Breaker”, typifying Ronson’s new sound. Old favourites…
Black History Month
BLACK HISTORY MONTH: These exhibitions focus on the stories of individuals, which is incredibly moving, as we get a glimpse…