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REVIEW: The Vortex, Apollo Theatre, London
REVIEW: Noel Coward needs no introduction, and Felicity Kendal only needs a tiny one, to make sure you don’t remember…
REVIEW: Days Of Significance, Tricycle, London
REVIEW: There is no interval and scarcely any break in the searing intensity of the subject matter, language and violence.…
REVIEW: Ansel Adams, City Art Centre, Edinburgh
REVIEW: Gordon Haynes reviews Ansel Adams: "The artistry shines out and, for their time, they must have been truly ground-breaking".
Pay Attention – asking for and getting that increase in pay
It's that time of year – Spring is here along with the start of the new financial year. You're looking…
Strangelove
I'm not a war correspondent. I'm a comedian. Sometimes though, if I'm lucky I get to listen to my jokes…
Changing Image of Black Women in Film
So does the changing role of Black women in films equate with advances made by women of other ethnicities? The…
REVIEW: Jonah and Otto, The Royal Exchange Theatre
REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…
REVIEW: Major Barbara, National Theatre
REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…
Achieving that Promotion: career progression in the creative sector
Progressing your career in the creative sector is not necessarily easy. Traditionally, achieving promotion was all about moving up through…
To volunteer, or not to volunteer. That is the question...
Emily Childs does what a lot of arts workers do when they are starting out - volunteers her time for…
