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REVIEW: I have a secret to tell you (please) leave with me, Zero Visibility Corps
REVIEW: Fiona Kelly, winner of Arts Hub's competition to review opening night of Dancing the World, in Newcastle, tells us…
REVIEW: Patient No. 1, York Theatre Royal
REVIEW: Firstly a confession. I am not political. I have never felt inclined to fight the system, protest, go on…
LA Stories
In his last column, computer science professor and aspiring rock musician Serge Belongie grapples with self doubt over his musical…
Career profile: Catherine Edwards, programmes director for Script
Catherine Edwards is programmes director for Script, the West Midlands agency for dramatic writers. Previously Stagecoach West Midlands, the organisation…
Under Current: user generated content takes over
Ezra Cooperstein is Director of Development and Production in the Viewer Created Content (VC2) group at Current TV, the Emmy-winning…
REVIEW: The Alternative Philosophy, Leonard Street Gallery
REVIEW: Dancing between the bright lights of Tokyo, London and Berlin, The Alternative Philosophy show illuminates a path that encompasses…
REVIEW: Hampstead Road, Camden People's Theatre
REVIEW: A peek into the partially blacked-out windows of Camden People’s Theatre a couple of weeks ago would have provided…
Marilyn Monroe: Larger in death
There`s a decided irony and one which probably would amuse Marilyn Monroe herself that La Diva is more famous now…
Keith Khan: Head of Culture for the London 2012 Cultural Olympiad
Keith Khan's challenge as Head of Culture for the London 2012 Cultural Olympiad is to coordinate a celebration of culture…
REVIEW: The Histories, by the RSC at the Roundhouse, London
REVIEW: Shakespeare’s history plays form two cycles. Confusingly the early cycle consists of four plays about Kings Henry VI and…
