Short films are strange beasts. They have a uniquely unenviable position of being near no-one’s first choice of entertainment, so in some ways must teach an audience how to experience them in their few minutes of runtime. They can feel genius and vital, or totally irrelevant.
Many people would consider most short films bad. But why? Well, filmmaking is one of the more complex artforms to realise – and short films often represent artists’ first tussles with that mechanism, engagement with those layers.