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Digging through and crossing over

As a young boy in England, artist Eric Snell spent beach-side summers trying to dig his way to Australia. Why?…

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Just the ticket

Arts organisations now exist within an industry that is increasingly dependent upon ticketing and marketing technologies to stay afloat. For…

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ALG funding decisions deferred, but it's not all good news

Last week, arts organisations across London were stunned when the Association of London Government (ALG) announced drastic funding cuts and,…

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'Wales? Why not?'

Judith Isherwood was genuinely surprised when, during interviews with Wales and London-based media following her appointment as the inaugural Chief…

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How sophisticated are you?

Controversial London-based art critic, Brian Sewell, recently expressed outrage that an exhibition of works by European post-War artists group, Cobra,…

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Footing the bill

The bill regarding the licensing of public live entertainment in England and Wales, currently in the Lords committee stages, has…

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TAG plays with fire

A collaborative initiative in Glasgow, between children's theatre company, TAG, the Glasgow City Council and the Glasgow Anti-Racism Alliance (GARA),…

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Taking it to the streets

For a small-scale touring company, Pursued by a Bear does an awful lot. From employing a company writer, to working…

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Spymonkey farewell UK

Brighton-based comedy theatre company, Spymonkey, are set to sign a contract with Cirque du Soleil for a two-year stint in…

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Getting sticky in Sydney

Phelim McDermott, one of the directors of UK's Improbable Theatre, is currently at the iconic Sydney Opera House, co-ordinating workshops…

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