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Showing all Museums news
AGNSW’s Sydney Modern finally gets the green light after lobbying the NSW Government for support for over four years.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
Opinions & Analysis
This week reminds us of the importance of respect.
A new light commission by American artist James Turrell will transform Brisbane’s Gallery of Modern Art.
The Art Gallery of NSW Board has delayed renewal of Director Michael Brand’s five-year contract for its full term.
In the arts, retirement is often not an option.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
When Facebook likes can make a show and the faint praise of 'interesting' can damn it, curators face a new terrain of influences that are bottom up, rather than top down.
From elegant minimalism to quirky fantasy worlds, the ancient medium of glass is continually reinventing itself.
Bits & Blogs
Health care students are developing their empathy, moral insight and cultural awareness through a program that helps them look at art.
With the Venice Biennale, Documenta and Skulptur Project Munster aligned and new biennales from Antarctica to Kathmandu, 2017 is the perfect year to travel.
Pop star George Michael leaves a legacy of over 500 collected arts works, including Tracey Emin, Marc Quinn, Sarah Lucas and Damien Hirst.
As technology improves the quality of reproduction, the old values are being newly debated.
The UK is relinquishing the remains of 13 Aboriginal Australians which will be handed over in a ceremony today.
Shipping a 13-meter dinosaur from Japan to Sydney sounds like a logistical nightmare, but that’s nothing. The museum needs upgrading to display it.
ArtsHub speaks with Frances Morris, Director of Tate Modern on managing risk, gender bias, funding constraints and partnerships with Australia.
At just 27, Ramesh Mario Nithiyendran has taken over the National Gallery with an exhibition that questions the face of ceramics today.
Having worked in a regional gallery, a commercial gallery, for a biennale and an ARI, these are the lessons – and the secrets – I can share.
NSW Government has given the green light on the long-awaited rennovation to the Sydney Opera House Renewal.
Being a conservator in a museum or gallery offers big rewards for the big commitment.
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