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Showing all news in Features
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to jump off.
For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it, and when to ignore it.
Brian Eno’s 'Music For Airports' celebrates its 40th anniversary this month. To celebrate, we explore the ambient genre.
The art world is embracing blockchain technology but what is this global trend? And why is this Australian innovation leading the charge into Asia?
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
Maria Balshaw is no stranger to strong talk; in a conversation with ArtsHub she tackles the topics of gender equity, technology, and youth as pathways to the museum sector's future.
The #MeToo movement has revealed the widespread extent of sexual harassment, and brought down comedy legends like Louis CK. What impact will it have on the comedy industry as a whole?
The limited and skewed portrayal of autism means it is often misrepresented rather than represented in fiction, which can be extremely isolating for autistic children.
Rhana Devenport has a vision, but the Auckland Art Gallery's budget is insufficient to deliver it.
Deadly Woman Blues should not be forgotten. It remains a useful and instructive example, albeit unintentionally, of the authorial burdens and responsibilities inherent in publishing other people’s stories.
ArtsHub visited New Zealand’s newest sculpture park, Sculptureum, which combines popular festival bravado with a passion for collecting.
Some artists are inspired by pushing their practice – and themselves – to the edge. We take a look at the experience of the extreme residency.
Whether you’re wrestling writer’s block or you’re an avid reader wanting to approach stories from a new perspective, try these tips from the experts.
With the inaugural edition of the NGV Triennial in full swing, we take a look at why it is needed and how it creates a point of difference.
The importance of queer allies in LGBTIQ documentary narratives are being recognised at this year's Melbourne Queer Film Festival and Mardi Gras Film Festival.
Instagram offers visitors authority and agency in sharing their experience, a trend which galleries are keen to tap into.
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
Mapping the brain reveals that creative people are better able to co-activate brain networks that usually work separately.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
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