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Expanded painting frees us from having to find the timeless essence of painting. Instead it's a changing pact between artist, medium and audience.
2017 was big: big empathy, big blockbusters, big harassment, big lobbying and big shifts in the visual arts ecology as a note of resilience kicked in.
Colin Hambrook, editor of Disability Arts Online, speaks with visual artist Rachel Gadsden about her experience of working with artists in Palestine.
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
To engage with difference is to both recognise that it exists and accommodate it on its own terms, rather than on the terms of the majority.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
Is there something in the nature of the performing arts industry which creates conditions conducive to exploitation?
From colonial statues and monuments for healing to heavy metal abstractions, a discussion at the Sydney Sculpture Conference questioned public art's role.
By speaking to our emotions, art can inspire ideas for alternate means of living in ways that science cannot.
Strategies for disarming sexism for people working in the arts and cultural sector.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
A regional gallery director’s curatorial indulgence opens the door on a national debate, and catches the eye of the Classification Board.
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous Photography saying?
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
Sometimes the music surrounding death tells us as much about the mourners as it does about the dead.
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
A growing trend stimulates a rethink and a conversation about the effectiveness of curatorial collaborations as a new model for galleries.
The core values hip hop include social justice, self-worth and community. Consequently it’s increasingly being used as a therapeutic tool with young people.
150 years after Ira Aldridge’s death, the need for a colour-blind stage is as vital as ever.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
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