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The 2016 Adelaide Biennial will convert the most cynical non-believer that object-based materiality commands the museum and contemporary curatorial concerns.
Assessment doesn't have to be the dark cousin of learning. In creative arts, educators are using new contextual models better suited to artistic growth.
Using the people around you in your art may test whether you care more about your creative work or your relationships.
Going to work in a prison revived this theatre-maker and reminded him why he makes theatre.
Should being busy really be a badge of honour? The mounting pressure for artists to create more, more, more may prove detrimental to creative output.
After a decade of flogging off their art collections, Australia’s top companies are embracing collecting but they want different results.
As international art attention turns to Singapore for this week’s Art Stage Singapore, we meet the Australians who are shaping the country’s cultural boom.
As a new collector, the art market might feel like an impenetrable club. It need not be. Collecting is simply an extension of your personality.
Put away those colouring books. 2016 is a year when literary giants will return and some of the best books may come from emerging writers.
How many of 2015's top films did you see? How many have you scheduled for viewing over the summer?
Tips on how to manage your organisation’s archive and how to massage it into a workable resource – both online and off.
Grayson Perry is not known for being politically correct but he admits he is ashamed of his previous comments on Aboriginal art. On the eve his MCA show he recants and shares his thoughts on cross-dressing, collecting, class and craft.
The pause for applause after completing a trick regularly punctuates circus shows – but is it impeding the art form’s evolution?
In a world of visual and auditory overload, scent is an unexplored platform for artists to feed sensual experience.
Turning the lens from stage to audience gives your photographs a difference and provides a great angle for the promotion of arts events.
The arts used to pursue cultural popularity but decry popular culture. Not any more.
Arm yourself with smart comebacks to the people who insist on telling you arts funding is a waste of money.
Price hikes inflict disproportionate damage on the most sought after demographic: the young audiences who will deliver sustainability.
If you are not playing by these budgeting rules, don't expect the numbers to add up on an arts income.
You have just handed in your manuscript, finished a great season or closed the doors of your exhibition. You’re expected to be elated so how do you respond when you actually feel like you have hit a wall?
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