Capturing dance’s disappearing act Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Britten’s Peter Grimes in Concert, Sydney Symphony Orchestra (NSW) SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience? Know before you go: how to tour abroad ArtsHub talks to Polyglot Theatre and independent producers Nithya Nagarajan and Moira Finucane about the art and politics of touring. The first rule of theatre criticism Fight director, actor, critic and dramaturge Dr Danielle Rosvally starts all her theatre students off with one simple lesson which begins with critical skills in the car park. Review: Whiteley, Opera Australia (NSW) Opera Australia has premiered its first new work in nearly a decade, and it’s quintessentially Australian, both in subject and tone, but does it capture the spirit of artist Brett Whiteley? (Premium content) Premium content Sue Healey Thursday 1 August, 2019 Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the experience. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Still from Dancers from On View: Japan by Sue Healey Photographer: Pippa Samaya Member login Email address Password Forgot password? About the author Sue Healey is a choreographer, film-maker and installation artist. Healey creates dance for diverse spaces: theatres, galleries and the screen. Her films are widely acclaimed and have screened in many international festivals and have been broadcast by Australian and European televi- sion networks. She has created ten major films with cinematographer Judd Overton, including the feature- length film, Virtuosi (2012) and the documentary The GOLDS (2014) which have screened in over 40 cities internationally. She has won six Australian Dance Awards for Dance on Film/New Media and for Independent Dance and was awarded a Hong Kong Dance Award for Best Visual Design (ON VIEW: Hong Kong) in 2018. She was a 2018 finalist in the 65th Blake Prize and a 2017 finalist in the Digital Portrait Award, National Portrait Gallery Australia.