Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina's Latest Articles

News

Getting to know the collectors

A new do-it-yourself guidebook, Private, make the top collections in Australia and New Zealand public.

Opinions & Analysis

Tips on how to buy Indigenous art ethically

Key stakeholders within the Indigenous art business give their tips on where to go and how to buy artworks ethically.

News

A new way to reclaim your copyright

A new technology may provide a gateway that ensure copyright holders can prevent misuse of their intellectual property.

News

Gilbert and George are coming to MONA

David Walsh brings Gilbert and George to MONA for a major retrospective surveying their five decade career.

News

Flawed Victorian photography speaks to the digital age

A backlash against digital photography is driving interest in all photos and processes.

Features

Partnerships redefine the 2016 Adelaide Biennial

Lisa Slade’s take on the Wunderkammer compounds the adage that everything old is new again, stamping a fresh brand on…

News

Legacy trumps a trend: APT8 and performance art

Tired of performance art? APT8 moves beyond the recent hype surrounding performance art and turns to the region for historical…

News

2015 MPavilion unveiled

Award-winning British architect reveals design for events pavilion in Melbourne’s Queen Victoria Gardens.

News

Raising the bar for video art

24 Frames Per Second is an ambitious project that brings together 239 artists, dancers and filmmaker in the commissioning of…

Features

Too dangerous for the museum

Museums can be safe places for unsafe topics but a leading museum director asks whether there is a point when…

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