What the arts industry can learn from Lego Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Broadway in a year of reckoning (locked) What is the responsibility of theatre-makers towards live shows that either were created or are set in the past – especially when they depict events which are problematic by contemporary standards? How to write an art-wank free artist statement (Premium locked content) Remember, an artist's statement is a practical and professional tool. It doesn’t have to be a complicated academic paper. Here are 7 tips to getting it right. Review: Australian World Orchestra conducted by Riccardo Muti Sydney Italian Maestro Riccardo Muti conducts the exceptional Australian World Orchestra at the Sydney Opera House for the opening of their 2018 concert season. Career spotlight: Composer Three composers reflect on the influences and events that shaped their careers and offer advice for those following in their footsteps. (Premium content) Premium content Fiona Maxwell Friday 25 August, 2017 In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Subscribe Now and join the British arts community today Member login Email address Password Forgot password? About the author Fiona Maxwell is the CEO of Brisbane Powerhouse. Her career has spanned the non-profit, government and university sectors in Australia and the USA. Prior to Brisbane Powerhouse, Fiona was Queensland Manager for Philanthropy Australia, establishing the Brisbane office and supporting philanthropists and non-profits alike to grow the sector.Fiona’s role as Queensland Manager, Artsupport Australia encompassed growing cultural philanthropy as well as supporting the non-profit sector to build stronger and more sustainable relationships with its supporters. Prior to this role, Fiona was Executive Director of the Next Wave Festival. She has been Chair and board member of organisations including industry service and peak bodies, an internet start-up and philanthropic grant-making committees. Fiona holds a Bachelor of Arts from QUT, and a Masters from the University of New South Wales.