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Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across
Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW.
Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate our contemporary world in unexpected ways, with the pummel of yesteryear politics.
This is a brave exhibition on many levels. It feels like a slow dance between veiled narratives and the raw and revealed – a chance to navigate the monsters of our contemporary stages, and if lucky, find empathy through the journey.
With a budget of almost $400M, the transformed WA Museum not only looks light and open, but champions a new era of museums that are transparent, inclusive and environmentally conscious.
The organisers of Art Basel Hong Kong have cancelled the 2020 edition of the art fair, facing no other option.
The National Gallery of Australia has rehung its early Australian galleries, drawing on a broad curatorium to recontextualise our art history – and it’s not alone in the trend.
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