Glyndebourne

Glyndebourne Tour Art Competition 2022

2022's Tour Art Competition challenges new artists to submit an artwork based on the theme of 'Disguise’

Call for Artists

Opportunity Details

Closing Date

Jul 3, 2022

Location

United Kingdom

Artform

Visual Arts

VISUAL ARTS HAVE ALWAYS BEEN AN INTEGRAL PART OF GLYNDEBOURNE, ON AND OFF THE STAGE, AND THE ANNUAL TOUR ART COMPETITION, WHICH HAS BEEN RUNNING SINCE 2013, OFFERS A PLATFORM FOR NEW ARTISTS TO RAISE THEIR PROFILE. 2022’S COMPETITION CHALLENGES NEW ARTISTS TO SUBMIT AN ARTWORK BASED ON THE THEME OF ‘DISGUISE’.

New artists, aged 16+ with less than five years’ experience of showing their work, are invited to submit one artwork by midnight (UK GMT) on Sunday 3 July 2022. Two-dimensional works in any medium can be submitted, including paintings, drawings, prints, photography and digital art works. The artwork should either be presented in a square format or be able to be successfully cropped to a square format when reproduced, with a maximum size of 50cm x 50cm. A panel of judges will consider the creativity and technical execution of the artworks and how well each piece interprets the brief, before selecting a shortlist and the eventual winning entry.

The winning artist will see their artwork on the cover of the Glyndebourne Tour Programme 2022 and their work will also be part of both a physical exhibition onsite at Glyndebourne’s Gallery 94 and a digital exhibition with all shortlisted works this autumn. Works can be offered for sale during the exhibition with an upper price limit of £500 (including commission).

As part of the prize, the winner will receive four free tickets to The Marriage of Figaro at Glyndebourne during the Tour 2022. All shortlisted entrants will win two free tickets.

Disguise: our theme for 2022

The theme for this year’s competition is ‘Disguise’. We are looking for artworks that are inspired by Mozart’s The Marriage of Figaro where disguise takes many forms: a dress makes a pretty girl of a soldier; a veil transforms a maid into a grand lady; darkness turns a faithful wife into an illicit lover; a title makes a gentleman of a cad. But masks and costumes are only the start of the deception in a drama where private selves must be publicly concealed, where seeming and being are never quite the same thing.

For more information, visit Glyndebourne

Image: Keren Golea, Emergence