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Mogwai’s new album ‘The Bad Fire’ transforms trauma into art
Stuart Braithwaite, co-founder of post-rock titans Mogwai, reflects on the personal pain that helped shape the Scottish band’s 11th studio…
Ballet review: Mary Skeaping’s Giselle, English National Ballet, London Coliseum
A delightfully traditional retelling of this beloved ballet tale.
Music review: Simón BolÃvar Symphony Orchestra of Venezuela, Barbican Centre
A flamboyant and boisterous performance of Mahler’s Symphony No 3.
32 jobs to consider for a career change in 2025
Looking at a career change in 2025? Learn first-hand the insights on 32 arts jobs to give you the edge.
Why we can’t get enough of Kate Bush, and other under-recognised Christmas ‘hits’, at this time of year
Who needs 'Jingle Bells' when you could have Kate Bush? In honour of music artists we love, ArtsHub has compiled…
How AI music has become a common fixture of far-right hate – part two
The far-right is using AI to create music and content as a way to spread racist and other extremist views.
How AI music has become a common fixture of far-right hate – part one
The far-right is using AI to create music and content as a way to spread racist and other extremist views.
Music review: Christmas Swing, London Symphony Orchestra, Barbican
A festive celebration of ‘third stream’ music where jazz and classical came together.
Ballet review: Nutcracker, London Coliseum
English National Ballet’s new production is indeed an 'emporium of sweets and delights'.
Opera review: La rondine, London Symphony Orchestra, Barbican Centre
Sensuous singing illuminates Puccini’s lesser-known and less flamboyant operetta.
