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The cast of 'The Years': four women wearing glasses and dressed in black and white.
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Theatre review: The Years, Harold Pinter Theatre

A brave and intelligent play brought to life by an astonishingly good ensemble.

Against a stark white wall, four actors from 'The Marriage of Figaro': Cody Quattlebaum, Hanna Hipp, Hubert Francis and Mary Bevan are huddled up close together.
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Opera review: The Marriage of Figaro, London Coliseum

The English National Opera sets Mozart’s classic opera buffa in a stark white box.

The Curious Case of Benjamin Button. A man and a woman sit together looking offstage and smiling
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The Curious Case of Benjamin Button, Ambassadors Theatre

F Scott Fitzgerald’s fantastic fable is indeed ‘an unordinary musical’.

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Music review: Mitsuko Uchida & Mahler Chamber Orchestra: Mozart, Royal Festival Hall

Mozart shines under the gentle touch of Dame Mitsuko Uchida.

Ballerinas in white tutus, with white veils over their heads, with a single dancer in the middle.
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Ballet review: Mary Skeaping’s Giselle, English National Ballet, London Coliseum

A delightfully traditional retelling of this beloved ballet tale.

French mezzo-soprano Marianne Crebassa sung with beautiful pitch and gentle emotionality in her appearance as soloist with the Simón Bolívar Symphony Orchestra of Venezuela. The photograph shows a slender, pale-skinned woman with shoulder length black hair and wearing a black dress that reveals her left shoulder. She stands to sing, surrounded by seated members of the orchestra.
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Music review: Simón Bolívar Symphony Orchestra of Venezuela, Barbican Centre

A flamboyant and boisterous performance of Mahler’s Symphony No 3.

A smiling Caucasian man in a grey jacket, white shirt and glasses plays the drums in front of an orchestra and looks of to the left of the frame. LSO
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Music review: Christmas Swing, London Symphony Orchestra, Barbican

A festive celebration of ‘third stream’ music where jazz and classical came together.

Anna Nevzorova as Ice Queen in 'Nutcracker'.
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Ballet review: Nutcracker, London Coliseum

English National Ballet’s new production is indeed an 'emporium of sweets and delights'.

The London Symphony Orchestra with a singer in a violet gown.
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Opera review: La rondine, London Symphony Orchestra, Barbican Centre

Sensuous singing illuminates Puccini’s lesser-known and less flamboyant operetta.

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Ballet review: Nutcracker in Havana, Southbank Centre

The classic ballet becomes 'an explosion of happiness' in this Latin reimagining.

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