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Actors' mental health is profoundly affected by unreasonable casting practices.
Features

Disturbing trend damaging actors’ mental health

Forced to wait up to four months to hear the outcome of an audition, actors' mental health is regularly suffering.

Features

The art of audio description

Accessibility doesn't start and end with wheelchair access and closed captions. Audio description can make a huge difference to the…

Consent. Image is a large audience with a person in the foreground of the shot with their back to the camera, standing and raising their hand.
Features

We need to talk about audience consent

While intimacy coordinators are now ensuring that performers' safety and comfort are being considered as a priority, have audiences been…

comedy. A woman of Asian appearance is on stage with a microphone, leaning forward and smiling.
Features

Building a following in comedy

In an ever-growing sea of comic performers and stand-ups, how do you cut through and grow your audience?

Still from recording of feature writing workshop at The Channel - Arts Centre Melbourne. Two women are sitting on stage against a black backdrop. On the left is Celina, an Asian Australian woman in her mid-20s with a black bob, denim jacket and black dress. On the right is Madeleine, a middle aged Caucasian woman wearing a blue and white floral shirt and white pants.
Videos

ArtsHub writing workshop: Feature Writing

In this session, ArtsHub's Madeleine Swain and Celina Lei run through feature writing from pitch to publish.

A concert venue with three raised hands reaching upwards fro the crowd, through purple and yellow spotlights. Wellness comedy.
Features

Wellness during comedy festival season

As a stand-up comedian you need to look after your audience, but to do that properly you need to look…

Aerialist Lauren Watson in a scene from 'NERVE'. Photo: Cinnamon Smith. A performer with her leg and arms raised, balancing on her sitting bones. The background is pitch black with soft lights illuminating her body.
Features

A matter of perception 

Disabled entrepreneurs who choose the arts to engage with their audiences.

Cessalee Stovall delivers a Stage A Change workshop at Darlinghurst Theatre Company. Photo: Amylia Harris. Stovall stands on the right hand side, speaking to a group of people who are sitting around tables. She is a woman with black curly hair tied up in a bun, brown skin, wearing a pink cardigan.
Features

Perspectives on the concept, craft and currency of community engagement

Forward-thinking performing arts organisations are embracing community engagement in new and expansive ways.

Alison McKay, Untitled, 2017, Sand and nails on wooden stand. Image: Supplied. An artwork consisting of a tiny precarious plinth with nails hammered into the top, and loose damp sand surrounding the nails.
Features

Why is the art world still married to meritocracy?

Part lottery, part systematic exclusion: three artists speak about the limitations of the meritocratic approach, and imagine how the art…

Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
Features

To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

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