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Still from recording of feature writing workshop at The Channel - Arts Centre Melbourne. Two women are sitting on stage against a black backdrop. On the left is Celina, an Asian Australian woman in her mid-20s with a black bob, denim jacket and black dress. On the right is Madeleine, a middle aged Caucasian woman wearing a blue and white floral shirt and white pants.
Videos

ArtsHub writing workshop: Feature Writing

In this session, ArtsHub's Madeleine Swain and Celina Lei run through feature writing from pitch to publish.

Features

Why we need to advocate for visual arts careers at high school

Students and parents need help to overcome limited understanding of careers in the visual arts, says passionate teacher and visual…

Conference speaker in darkened room with presentation image on AI
Features

AI FOMO? Why cool heads are needed in the arts

Speakers at a recent conference took a critical stance amid pressures for those in the arts and cultural sectors to…

image of a Hong Kong created in Lego
Features

10 mind-blowing LEGO creations on Instagram

From emotive storytelling to gravity-defying creations, these Instagram accounts are exemplifying the possibilities of LEGO.

Aerialist Lauren Watson in a scene from 'NERVE'. Photo: Cinnamon Smith. A performer with her leg and arms raised, balancing on her sitting bones. The background is pitch black with soft lights illuminating her body.
Features

A matter of perception 

Disabled entrepreneurs who choose the arts to engage with their audiences.

Photo: Stelios Kazazis, Unsplash. Three sculptures of goddesses on the architectural column of the Parthenon.
Features

Australians fighting for the Parthenon Marbles’ return

A major campaign in Australia has been active since the 1980s in building a movement around the return of the…

Alison McKay, Untitled, 2017, Sand and nails on wooden stand. Image: Supplied. An artwork consisting of a tiny precarious plinth with nails hammered into the top, and loose damp sand surrounding the nails.
Features

Why is the art world still married to meritocracy?

Part lottery, part systematic exclusion: three artists speak about the limitations of the meritocratic approach, and imagine how the art…

Left: Lavinia Fontana, ‘Mystic marriage of Saint Catherine’, 1574-77 oil on copper. NGV, Felton Bequest, 2021. Image: Supplied. Right: Artemisia Gentileschi, ‘Lucretia’, c.1630-35 oil on canvas. Private collection. Image: Supplied.
Features

Do you know the first female professional artists in Western history?

Lavinia Fontana, Sofonisba Aguissola and Artemisia Gentileschi sustained rewarding artistic practices with an entrepreneurial mindset.

NVAEC, Two women in black stand side by side in front of Indigenous wall hanging art. Kelli Cole, Warumungu and Luritja peoples, Curator, Special Projects, Aboriginal and Torres Strait Islander Art and Hetti Perkins, Arrernte and Kalkadoon peoples, co-Curator, in Emily Kam Kngwarray, National Gallery of Australia, Kamberri/Canberra, 2023. Photo: Sam Cooper.
Features

Repositioning: teaching and learning in the visual arts

The fifth National Visual Art Education Conference (NVAEC) saw teachers, artists and curators gathering to share ideas, inspire each other…

Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
Features

To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

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